Somerset Maugham
Posted: Mon May 12, 2014 3:56 am
If there was ever a writer in the first rank of second-rate writers, this was he, and I mean that in a good way. I think a good measure of a writer is the short story, and Maugham's best are exemplary of the form.
His colonial settings - Borneo, Guyana etc. - and themes - lonesome shaving of the empire needs a wife, etc. - he has in common with Conrad, and also the variety of narrative styles (either third-person omniscient, or detached man-about-town first-person). He's also like Conrad, although not so bold, in his use of time, hearsay and flashback to construct the tale. But Conrad is a braver, more savage writer, who goes all the way, right to the heart of his characters' flaws and demise. With Maugham, you always feel there is something worse lurking outside the story which drives it all and yet cannot be described. And whether there is or isn't, maybe this is his great appeal?
Anyhow, he is a joy to read, severely underrated in my view. I've read The Moon and Sixpence, Of Human Bondage and two of the four vols of his Collected Stories.
His colonial settings - Borneo, Guyana etc. - and themes - lonesome shaving of the empire needs a wife, etc. - he has in common with Conrad, and also the variety of narrative styles (either third-person omniscient, or detached man-about-town first-person). He's also like Conrad, although not so bold, in his use of time, hearsay and flashback to construct the tale. But Conrad is a braver, more savage writer, who goes all the way, right to the heart of his characters' flaws and demise. With Maugham, you always feel there is something worse lurking outside the story which drives it all and yet cannot be described. And whether there is or isn't, maybe this is his great appeal?
Anyhow, he is a joy to read, severely underrated in my view. I've read The Moon and Sixpence, Of Human Bondage and two of the four vols of his Collected Stories.