k-j wrote:Bombadil wrote:I'm divided so I'll quote Robert Frost:
"Free verse is like playing tennis without a net."
and Ezra Pound:
"Breaking the pentameter, that is the first step."
Robert's right, Ezra's wrong.
Making the pentameter is the first step: you have to make it before you can break it. And when you break it, you have to replace it with something.
I thought Ol Ez' did (replaced). Early and often. As for Mr. Frost , he came from New England, where that
would be a natural speech pattern, assuming you could get 10 syllables out of them. Seriously, it works for a Brit, every one I knew measured his speech in a natural voice. It's a real killer reading some of the things that come out of the MFA mills of America. Not natural, of course, more and more places I go, English is not natural. Spanish; makes me regret sleeping in High School.
Back to ol Ez, if the Cantos are blather most of it is highly poetic blather. But I also find Yeats blather, and Keats just sends me into peels of laughter. (Ginsberg does too sometimes, and I don't remember ever seeing a form from him.)
Poetry is not form, form is just a casing for the words at worst, a presentation at best, or an added disciple that the poet chooses to add. It will lend a sense of balance and repetition, which is easily done in free verse. It's only advantage that I can see is a sense of tightness. Certain forms do have specific advantages, I grant that.