A Rambler Slips Into The Preternatural (revision2)
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I thought the rhyme was a rather heavy in v1 to start with, but I loved the change to
and all to bind a wrinkled prayer?
in the last line. To me the rhyme and rhythm seem to become a bit erratic after that - if you want such heavy rhymes (and they do add a sort of enticing doom-laden feeling) then perhaps a consistent rhyme scheme would work well?
Ros
and all to bind a wrinkled prayer?
in the last line. To me the rhyme and rhythm seem to become a bit erratic after that - if you want such heavy rhymes (and they do add a sort of enticing doom-laden feeling) then perhaps a consistent rhyme scheme would work well?
Ros
Rosencrantz: What are you playing at? Guildenstern: Words. Words. They're all we have to go on.
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Antiphon - www.antiphon.org.uk
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Antiphon - www.antiphon.org.uk
Truly eerie, Mac—a voice, a movement, astir in the earth. It seems more purposeful than rambling, though, so I wondered about the title.
The rhyme distracted me, too, but the movement drew me in. Shivery.
Jackie
The rhyme distracted me, too, but the movement drew me in. Shivery.
Jackie
More symmetry in rhythm and rhyme to sound like poetry? I'll try at less ramble more craft RosTo me the rhyme and rhythm seem to become a bit erratic after that - if you want such heavy rhymes (and they do add a sort of enticing doom-laden feeling) then perhaps a consistent rhyme scheme would work well?
all the best
mac
Hey Mac,
There's lots to like here, but the rhythm and rhyme do let it down. It draws you in, gets you going at a pace, then sends you tumbling over yourself. i think if you're going to use this type of structure you need to be much tighter - so i would suggest either going for the fully structured consistent rhythm and rhyme (which is really hard) or ease up on it altogether and build on what you have - which is some lovely images and ideas. I like the idea of the words beneath the Tor very much.
It has a wonderful sense of being a puzzle - i'd love to see a version 2.
Thanks,
Nicky B
There's lots to like here, but the rhythm and rhyme do let it down. It draws you in, gets you going at a pace, then sends you tumbling over yourself. i think if you're going to use this type of structure you need to be much tighter - so i would suggest either going for the fully structured consistent rhythm and rhyme (which is really hard) or ease up on it altogether and build on what you have - which is some lovely images and ideas. I like the idea of the words beneath the Tor very much.
It has a wonderful sense of being a puzzle - i'd love to see a version 2.
Thanks,
Nicky B
I think you've nailed it there Nicky. There is an expectation of form and craft, which Ros pointed out too. Will ponder on what type of revision is best or possiblei think if you're going to use this type of structure you need to be much tighter - so i would suggest either going for the fully structured consistent rhythm and rhyme (which is really hard) or ease up on it altogether and build on what you have
all the best
mac
Well I rather like this in its current version - not sure you've improved the "all to bind a wrinkled prayer" line, though - but if you're going to revise it I'll say no more for the moment. I look forward to reading said revision, however.
Cheers
David
Cheers
David
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Again, as so often, Mac, great sounds. IMHO the latest is the best.
A part story where the reader has to put together an account....of possibly many....of what is going on? But I am a bit hazy as to how this might hang together. Am I right that at the end the rambler if baffled because the lodestar does not work at all....having fallen into a zone of the preternatural? Or have I lost my footing here?
Seth
A part story where the reader has to put together an account....of possibly many....of what is going on? But I am a bit hazy as to how this might hang together. Am I right that at the end the rambler if baffled because the lodestar does not work at all....having fallen into a zone of the preternatural? Or have I lost my footing here?
Seth
We fray into the future, rarely wrought
Save in the tapestries of afterthought.
Richard Wilbur
Save in the tapestries of afterthought.
Richard Wilbur
a mac poem can be slipperyOr have I lost my footing here?
perhaps my writing attempts are becoming as disorientated as this rambler
yep, ye olde magnetic magic has not steered a true course or has led our N. astray...
all the best
mystical mac
Hi Mac,
I great read - as usual.
Tick tock across the rock,
hear the logan stone crack, a watery tongue
seeking a lock, that breath coming low
unlocking bone beneath the frosted stone.
Don't think you need the 'granite clock' bit - it is assumed from the first line.
Plus this sounds better I think.....
Luke
I great read - as usual.
Tick tock across the rock,
hear the logan stone crack, a watery tongue
seeking a lock, that breath coming low
unlocking bone beneath the frosted stone.
Don't think you need the 'granite clock' bit - it is assumed from the first line.
Plus this sounds better I think.....
Luke