I cling to my branch amongst my peers
autumn winds and rain in spite
and draw my sustenance from the wood
in ever decreasing effluence
My tree is sick from former glory
it shows in reds and browns and golds
it's beauty betrays my trust and faith
a show of death in decadence
I say farewell to those who lose
brothers below and above alike
they're ripped away or simply let go
evicted from suburbia
Will I be the last leaf of autumn
will I join my colleagues who fell
or will my tree yet find new footing
and start a new emergence
Empty rooms and closed office buildings
litter the land like rotting leaves
No snow to hide the sense of failure
of this capitalistic fraudulence
Last leaf of autumn
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Last edited by RichardSanders on Fri Nov 25, 2011 1:41 pm, edited 1 time in total.
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Some minor tweaks on the initial draft.
- twoleftfeet
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Richard,
This piece is trying too hard and IMHO doesn't need to be so specific to make its point, especially the last line.
I would advise you to concentrate on the tree and draw a quick comparison with N's job insecurity at the end.
Or concentrate on the office and refer to the precarious situation of the leaf/tree outside the window at the end.
Just a suggestion, but if you want to give it a go I'll kick-start you with an alternative title
- Hanging on in Autumn
As they say - use it or lose it.
Geoff
This piece is trying too hard and IMHO doesn't need to be so specific to make its point, especially the last line.
I would advise you to concentrate on the tree and draw a quick comparison with N's job insecurity at the end.
Or concentrate on the office and refer to the precarious situation of the leaf/tree outside the window at the end.
Just a suggestion, but if you want to give it a go I'll kick-start you with an alternative title
- Hanging on in Autumn
As they say - use it or lose it.
Geoff
Instead of just sitting on the fence - why not stand in the middle of the road?
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Hi Geoff,
Thanks for the feedback.
You make some good points.
I like your suggestion for the title. It's less dramatic and better for it.
I think I'll use it.
Rewrite is comming.
Kindest,
Richard.
Thanks for the feedback.
You make some good points.
I like your suggestion for the title. It's less dramatic and better for it.
I think I'll use it.
Rewrite is comming.
Kindest,
Richard.
Hi Richard,
your focus between both leaf and tree distracts, although employee (leaf) and tree (employer) is a relevant metaphor. For awhile I tried no punctuation in following a modern trend but it didn't always work - as it hasn't here, for you.
In S1 I would use 'despite' instead of 'in spite'.
I think this can still benefit from a tidying up.
J.
your focus between both leaf and tree distracts, although employee (leaf) and tree (employer) is a relevant metaphor. For awhile I tried no punctuation in following a modern trend but it didn't always work - as it hasn't here, for you.
In S1 I would use 'despite' instead of 'in spite'.
I think this can still benefit from a tidying up.
J.
Before you shave with Occam’s razor - Try epilation or microlaser
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I think this makes a good general point - it is too literal a style for my taste, there is little left for my imagination to work with - I often use the "less is more" approach - really cut it back, don't spell everything out, for instance, the title could just be "The Last Leaf" or "Autumn's End"; "autumn winds" - do you really need to say "autumn"? Say something else about the wind and not the most obvious thing that would be in the list of the first 5 things anyone would say about the wind - not "blustery" for sure, "careless", "capricious", "insensitive", as a half-way house, or ballyrag/yobbish wind if you want to go futher. "I cling to my branch" is completely literal - can't it be "I cling to life", "My tree" - do you need to put that - can't you just put "Sick from a former glory" - leave something for the reader to work out - can you see - you don't have to go the whole hog but "less is more" isn't a charter for being deliberately obscure either.twoleftfeet wrote:Richard,
This piece is trying too hard and IMHO doesn't need to be so specific to make its point, especially the last line.
Geoff
I like what is going on in the last stanza - the parallels you draw - I think that is they key to focus on - making that idea work. When you first mention "colleagues" I think you could do more to set up the idea that the leaves have "worked together" in some way - it fleshes out the whole idea, makes it more coherent.
The rest of you...keep banging the rocks together.
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Thanks for your feedback guys.
I'll be sure to carefully consider all options in the rewrite.
The balance between being clear enough and being too explicit is a precarious one to me.
I guess I still have some to learn on that point.
Kindest,
Richard
I'll be sure to carefully consider all options in the rewrite.
The balance between being clear enough and being too explicit is a precarious one to me.
I guess I still have some to learn on that point.
Kindest,
Richard
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Hi Richard, yes, I completely agree with JL here.JohnLott wrote: it hasn't here, for you.
I won't comment on aspects such as structure, narrative or expression, as I think you probably have enough to occupy you from the comments of others. But I do think you have to be very sure of your intention before doing away with punctuation altogether. Here, it seems to me that your intention (narrative coherence) and your execution (unstructured, punctuationless) are in conflict with one another.
Cheers
peter
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Richard,
I liked it. However, I agree with with previous comments around being explicit. My personal view is that poems should be beautiful in their own right and that it is less important that a specific meaning is obvious. Leave the reader to draw their own meanings.
"being too explicit is a precarious one to me". Tell me about it :-> I have yet to break this habit but I have to say the ones I have written this way have always (without fail) been far superior poems (in terms of my writing).
In terms of the poem. I think I would focus on the leaf. You have too many messages poorly hidden. I would simplify it. It would be more powerful then (IMHO).
S
I liked it. However, I agree with with previous comments around being explicit. My personal view is that poems should be beautiful in their own right and that it is less important that a specific meaning is obvious. Leave the reader to draw their own meanings.
"being too explicit is a precarious one to me". Tell me about it :-> I have yet to break this habit but I have to say the ones I have written this way have always (without fail) been far superior poems (in terms of my writing).
In terms of the poem. I think I would focus on the leaf. You have too many messages poorly hidden. I would simplify it. It would be more powerful then (IMHO).
S
Starting down road to knowledge leads to a view of reality that is bleaker than the warm comfort blanket of ignorance. A road we take with no route back. Where there was something, there is nothing.
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Hi ifonly,
I'm still working on a rewite, or as it is going it may turn out to be more like a new poem about the same message.
It's going slow though, so it'll be some time.
I'll be sure to take your feedback into account. It's verry helpfull.
Thanks.
Kindest,
Richard.
I'm still working on a rewite, or as it is going it may turn out to be more like a new poem about the same message.
It's going slow though, so it'll be some time.
I'll be sure to take your feedback into account. It's verry helpfull.
Thanks.
Kindest,
Richard.