Tides
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As the tide ebbs, it reveals
broken things: pram wheels, cans,
bottles smashed
and slime attached to smoothed rocks
and half-bricks tossed.
When the tide's in
glassy molecules learn to swim
and jewel the eye with silvered blues.
Little waves of crystalled light
lap my toes...
and the slime goes.
broken things: pram wheels, cans,
bottles smashed
and slime attached to smoothed rocks
and half-bricks tossed.
When the tide's in
glassy molecules learn to swim
and jewel the eye with silvered blues.
Little waves of crystalled light
lap my toes...
and the slime goes.
Last edited by churinga on Mon Oct 22, 2018 1:54 am, edited 2 times in total.
very pleasant, I could feel the water around my toes.
I'd suggest removing one of the 'ands' in S1.
'glassy molecules learn to swim' didn't work for me. I think it is that I read molecules as the elemental particles that are way too small to see, maybe a less scientific word would be more poetic.
B.
I'd suggest removing one of the 'ands' in S1.
'glassy molecules learn to swim' didn't work for me. I think it is that I read molecules as the elemental particles that are way too small to see, maybe a less scientific word would be more poetic.
B.
If you want to fly, you must first spread your wings.
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Hi Binz
I also thought 'molecules' was taking it too far but nothing better has come to mind.
The repetition of 'and' doesn't worry me, I think it sounds OK even if it looks annoying visually.
Thanks for commenting, glad you liked it.
Ross
I also thought 'molecules' was taking it too far but nothing better has come to mind.
The repetition of 'and' doesn't worry me, I think it sounds OK even if it looks annoying visually.
Thanks for commenting, glad you liked it.
Ross
hi Ross,
I think the S1 revelation, though familiar, connects. S2, naturally the 'illusions' will be less concrete, and poetic language is one way to illustrate the cosmetic. On the other hand, a scientific slant could be interesting - what underlies/causes the 'beauty' that hides/distracts.
cheers
mac
I think the S1 revelation, though familiar, connects. S2, naturally the 'illusions' will be less concrete, and poetic language is one way to illustrate the cosmetic. On the other hand, a scientific slant could be interesting - what underlies/causes the 'beauty' that hides/distracts.
cheers
mac
churinga wrote: ↑Thu Sep 27, 2018 11:04 pmAs the tide ebbs, it reveals
broken things: pram wheels, cans,.....................................colon for listing?
bottles smashed
and slime attached to smoothed rocks
and half-bricks tossed.
When the tide's in
glassy molecules learn to swim
and jewel the eye with silvered blues.
Little waves of crystalled light
lap my toes... and the slime goes.
- CalebPerry
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"and the slime goes" doesn't work for me as an ending.churinga wrote: ↑Thu Sep 27, 2018 11:04 pmAs the tide ebbs, it reveals
broken things: pram wheels, cans,
bottles smashed (end with a comma)
and slime attached to smoothed rocks (remove "and")
and half-bricks tossed.
When the tide's in
glassy molecules learn to swim
and jewel the eye with silvered blues. (would prefer "silver blues" or "silvery blues")
Little waves of crystalled light (would prefer "crystal" or "crystalline")
lap my toes ... and the slime goes.
When the tide's in, glassy molecules
learn to swim and jewel the eye
with silver blues. Little waves of crystal light
lap my toes ... and the slime becomes (turns to?)
mitochondria under the water's skin. (vessels?)
(or something like that)
"Mitochondria" (or whatever internal bodily structure you come up with) continues the theme set by "molecules". Unfortunately, my lines kill the rhyme.
I thought of this because nature puts a uniform skin on every living thing (both plant and animal), and the reflective sheen on the water's surface could be seen as the water's skin, with the junk and slime becoming the internal organs.
(You can ignore me. I'm just daydreaming.)
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If you don't like the black theme, it is easy to switch to a lighter color. Just ask me how.
If I don't critique your poem, it is probably because I don't understand it.
If you don't like the black theme, it is easy to switch to a lighter color. Just ask me how.
If I don't critique your poem, it is probably because I don't understand it.
- CalebPerry
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I was trying to plumb a deeper metaphor from the poem, that's all. It was just a thought.
Signature info:
If you don't like the black theme, it is easy to switch to a lighter color. Just ask me how.
If I don't critique your poem, it is probably because I don't understand it.
If you don't like the black theme, it is easy to switch to a lighter color. Just ask me how.
If I don't critique your poem, it is probably because I don't understand it.
- JJWilliamson
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Pleasant and succinct poem, Ross, and nicely observed.
Ah, the cleansing waters of the rising tide. A veneer of beauty represented by the lovely images of S2. S2 makes it for me.
Best
JJ
Best
JJ
Ah, the cleansing waters of the rising tide. A veneer of beauty represented by the lovely images of S2. S2 makes it for me.
Best
JJ
Enjoyed the readchuringa wrote: ↑Thu Sep 27, 2018 11:04 pmAs the tide ebbs, it reveals
broken things: pram wheels, cans,
bottles smashed
and slime attached to smoothed rocks
and half-bricks tossed. ...I'd slot some plastic in there somewhere, perhaps replacing the clichéd pram wheels.
When the tide's in
glassy molecules learn to swim
and jewel the eye with silvered blues.
Little waves of crystalled light
lap my toes... and the slime goes.
Best
JJ
Long time a child and still a child
Hi Ross,
I enjoyed wiggling my toes in this cooling water. I also enjoyed what I saw as the way you tied the poem together with metric patterns:
Using u u / u to open the poem, open S2, and end the poem
Using / u / throughout lines 2-5 and returning to it in line 10
Using / u / u / u / in lines 7-9, when the reader feels washed with the cooling tide
Molecules in line 7 doesn't work for me both because it doesn't fit the metrical pattern and it isn't cajoling enough for those lines (IMHO, of course!). Maybe one of these from the thesaurus would work: spherules, bubbles, driblets, droplets, smidgens
Thanks—
Jackie
I enjoyed wiggling my toes in this cooling water. I also enjoyed what I saw as the way you tied the poem together with metric patterns:
Using u u / u to open the poem, open S2, and end the poem
Using / u / throughout lines 2-5 and returning to it in line 10
Using / u / u / u / in lines 7-9, when the reader feels washed with the cooling tide
Molecules in line 7 doesn't work for me both because it doesn't fit the metrical pattern and it isn't cajoling enough for those lines (IMHO, of course!). Maybe one of these from the thesaurus would work: spherules, bubbles, driblets, droplets, smidgens
Thanks—
Jackie
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Charles
Thanks for your comment, pleased you liked it.
Jackie
I have no idea what metric patterns I use in any poem.
I just go by ear. And here I think it meanders somewhat.
'molecules' is used to slant rhyme with blues,
I only just noticed this!
kind regards to you both
Ross
Thanks for your comment, pleased you liked it.
Jackie
I have no idea what metric patterns I use in any poem.
I just go by ear. And here I think it meanders somewhat.
'molecules' is used to slant rhyme with blues,
I only just noticed this!
kind regards to you both
Ross