Not reading on
My mother has just handed in
her mobile library card,
which saddened the librarian:
she took it rather hard.
This lady had been on their books
for more than fifty years.
That's a lot of Wilbur Cooks;
it's a lot of Georgette Heyers;
it's a lot of assignations
in the garden after dark;
it's a lot of situations
with a dog that didn't bark;
it's a lot of heaving bosoms;
it's a lot of bitten tongues;
it's a lot of kissing cousins;
it's a lot of loaded guns,
and it's goodbye to all that,
though she's pretty good for her age,
but she loses each and every plot
each time she turns the page.
her mobile library card,
which saddened the librarian:
she took it rather hard.
This lady had been on their books
for more than fifty years.
That's a lot of Wilbur Cooks;
it's a lot of Georgette Heyers;
it's a lot of assignations
in the garden after dark;
it's a lot of situations
with a dog that didn't bark;
it's a lot of heaving bosoms;
it's a lot of bitten tongues;
it's a lot of kissing cousins;
it's a lot of loaded guns,
and it's goodbye to all that,
though she's pretty good for her age,
but she loses each and every plot
each time she turns the page.
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Comic and sad at the same time. Bravo.
Moving ending.
Loved the Heyers rhyme.
Do you need the second and fourth "it's a"s in the second to last stanza? Not sure I would miss them. The context makes it clear you are still listing there.
Once again, Bravo.
Seth
Moving ending.
Loved the Heyers rhyme.
Do you need the second and fourth "it's a"s in the second to last stanza? Not sure I would miss them. The context makes it clear you are still listing there.
Once again, Bravo.
Seth
We fray into the future, rarely wrought
Save in the tapestries of afterthought.
Richard Wilbur
Save in the tapestries of afterthought.
Richard Wilbur
Really like it. Worth it for the Heyers rhyme alone. "Handed in / librarian" is clever too. The metre seems to unravel a bit in the last verse. My ear wants "pretty" to be a one-syllable word.
fine words butter no parsnips
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Nicely done. 2nd verse I like best. Never heard of Wilbur Cook, I'll assume that's a good thing.
though she's pretty good for her age, - as k-j pointed out, pretty disrupts the flow. I'd suggest not bad instead of pretty good.
though she's pretty good for her age, - as k-j pointed out, pretty disrupts the flow. I'd suggest not bad instead of pretty good.
I'm out of faith and in my cups
I contemplate such bitter stuff.
I contemplate such bitter stuff.
Antcliff wrote:Loved the Heyers rhyme.
Thanks, chaps. That's the line I'm really pleased with. It's biographically correct. What with her and my sister, I seemed to grow up surrounded by the books of Georgette Heyer. However ...k-j wrote:Worth it for the Heyers rhyme alone.
I made him up! It seems. I could have sworn there was a thriller writer called Wilbur Cook, but apparently not. Darn it. I'll have to revisit that completely.ray miller wrote:Never heard of Wilbur Cook
Mm. I may have overdone the listing thing.Antcliff wrote:Do you need the second and fourth "it's a"s in the second to last stanza? Not sure I would miss them. The context makes it clear you are still listing there.
As Ray says too. I like the conversational tone, and the way it breaks the listing up, but I may be wrong about that.k-j wrote:The metre seems to unravel a bit in the last verse. My ear wants "pretty" to be a one-syllable word.
Richard wrote:I think it might be worth thinking about swapping the 3and 4th stanzas around?? The shift into the final stanza is eased??? Dunno. Just a thought...
Thanks Richard. Definitely worth thinking about.
Cheers all
David
Kudos, David
Lots of sentiment but not at all sentimental.
My tuppence worth -- the lists are what emphasise how long she has been reading for, "lots and lots", I wouldn't lose either of those stanzas.
I tripped over "pretty" too.
Wilbur Smith -- you may have been thinking of.
excellent
elph
Lots of sentiment but not at all sentimental.
My tuppence worth -- the lists are what emphasise how long she has been reading for, "lots and lots", I wouldn't lose either of those stanzas.
I tripped over "pretty" too.
Wilbur Smith -- you may have been thinking of.
excellent
elph
Classic! But ... "bosoms/ cousins" ????? Buzz 'ems instead of Booze 'ems ?it's a lot of assignations
in the garden after dark;
it's a lot of situations
with a dog that didn't bark;
it's a lot of heaving bosoms;
it's a lot of bitten tongues;
it's a lot of kissing cousins;
it's a lot of loaded guns,
I missed this one. It motors along and the turn in the final two lines is brilliant. So sad, too. My grandmother succumbed to Alzheimer's, and started to forget she'd fed her dog, until the poor thing was like a barrel. Tragic but with an element of comedy, too.
Thank you for a very good read.
Best,
Tristan
Thank you for a very good read.
Best,
Tristan
A little late, nudged by Tristan - sorry Elph & Bren, I didn't realise I'd missed your comments ...
Thanks, Elph. I think - I hope - you're right about the listiness.
Thanks, Tristan. That scenario sounds only too believable, sadly.
Cheers all
David
Thanks, Elph. I think - I hope - you're right about the listiness.
That's what I thought! However,Seth has kindly suggested Catherine Cookson, which I think will do very nicely.k-j wrote:I'm sure Wilbur Cook is real.
Slant rhyming, Bren. Er .. slaunt rhyming then. Sláinte rhyming!dedalus wrote:Classic! But ... "bosoms/ cousins" ????? Buzz 'ems instead of Booze 'ems ?
Thanks, Tristan. That scenario sounds only too believable, sadly.
Cheers all
David
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Thought I'd commented on this. Nicely handled, as expected. Also agree that line 18 is long, and wondered if "lucid" might replace "pretty good"? Also thought the 1st stanza a bit plodding. Could it be be cut and perhaps replaced with a better title?
B.
B.
Thanks, Brian.
"Lucid" is less conversational than I think I want to be. But I'll ponder that.
Cheers
David
It is a bit prosaic, I agree, but it's how it first came to me - not a good reason in itself, I know - and (better reason) I thought it gave me a good ballady start.brianedwards wrote:Also thought the 1st stanza a bit plodding. Could it be be cut and perhaps replaced with a better title?
"Lucid" is less conversational than I think I want to be. But I'll ponder that.
Cheers
David
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What? Lucidity is an everyday conversation for me. You obviously don't socialise with teachers enough
B.
B.
hi David,
I don't see much to tinker with, if you did, then 'quite lucid' would still be conversational in my view - and reduce one of those 'goods' (loaded/lucid thread too). Agree with k-j on "Handed in / librarian".
all the best
mac
I don't see much to tinker with, if you did, then 'quite lucid' would still be conversational in my view - and reduce one of those 'goods' (loaded/lucid thread too). Agree with k-j on "Handed in / librarian".
all the best
mac
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This is a captivating funny-and-poignant poem. I am glad to have found and read it.
Best regards,
Alan
Alan
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Just read this Mac. It's interesting how you've discarded the standard ballad iambic structure after the second stanza but stick with the rhyme scheme. For me, this makes Stanza 3 feel like an unexpected shift down in gear but give way to a more modernist emphasis on meaning, which I think can be obscured by a strong ballad rhythm. It also slows the pace to lead us nicely to the sad bit at the end. I like the bosom/cousin rhyme.
Hello, AlanReynolds and rossdalglish. Nice to hear from you. Thanks for the kind words and comments.
I invite you - should you wish to do so - to proceed to our Hello, Good Evening and Welcome section and introduce yourselves. I hope to see you around here quite a bit more.
Cheers
David
I invite you - should you wish to do so - to proceed to our Hello, Good Evening and Welcome section and introduce yourselves. I hope to see you around here quite a bit more.
Cheers
David