She stormed
my dream windows,
amped up my pulse,
her sauciness offset
by shy eyelid flutter.
Slow river-flow in her voice,
not a hallucination,
she held breathless answers
to street ruckus in her hush.
She walked
with wispy nonchalance,
snuck quick looks over walls
not as barriers, but vantages
to a better view.
Across a Ukranian café table
we sent glances, suggesting
florid delights in the night ahead.
We entertained desire
with its ins, its outs, rapt,
alert to sensual spasms.
In an after-hours club,
carousers brushed by, brash,
blind to us.
A fight broke out, I intervened,
bottles crashed, chairs flew.
hostilities ceased, she moved
from the back
and lightly touched my arm.
I asked her to dance;
put off by the whip-lash
movements she demurred,
then bloomed inside me
with her own feline dance;
I embraced in thought her waist,
burgeoning, lithe as mist.
Pre-dawn at her fifth-floor walkup,
eros held us next to the kitchen bathtub.
Another request for a dance,
her lips pouted slyly,
and we waltzed slowly
to the center
of these recollections.
Preludes at 4 AM
- twoleftfeet
- Perspicacious Poster
- Posts: 6761
- Joined: Wed Dec 07, 2005 4:02 pm
- Location: Standing by a short pier, looking for a long run-up
Hi,RC
I'm assuming this is a song lyric?
I enjoyed the dream-like flow.
One or two lines seemed a bit long,
e.g "eros held us next to the kitchen bathtub."
but I expect it will sound fine when sung.
The only suggestion I can make is change "assault" to "stormed" in L1?
Nice one
TLF
I'm assuming this is a song lyric?
I enjoyed the dream-like flow.
One or two lines seemed a bit long,
e.g "eros held us next to the kitchen bathtub."
but I expect it will sound fine when sung.
The only suggestion I can make is change "assault" to "stormed" in L1?
Nice one
TLF
Instead of just sitting on the fence - why not stand in the middle of the road?
- riverrun
- Productive Poster
- Posts: 51
- Joined: Tue Mar 19, 2019 6:33 am
- Location: Rio de Janeiro, Brazil
I liked how you solved the poem's whereabouts by using "to the center / of these recollections." because as the poem goes you voluntarily seem to not get too much attached, but at the same time you don't want to seem removed -- the state of contemplation while living the moment. It's always a risk: if we get too close we lose the contemplative state, if we move away we lose the instant -- "to the center of these recollections" I particularly love erotic (in stricto sensu) poems because I never know for sure of how much of fiction and reality I should embrace or give up to enjoy.
best
best