A history teacher’s appraisal by his pupils

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1lankest
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Fri Oct 23, 2020 6:53 pm

*you may have seen a version of this before

On the plus side, sir, we love the anecdotes:
Raleigh’s puddle, Drake’s drum.
That seasick captain and his trial by letters.

You never shoot us down or have us write the date out
in the margin. Dates, you say, are strictly historical.

But since you’re a stickler for observation, sir,
there’s something we’ve detected lately:
the way you drift at the whiteboard, penless,
..................starboard from centre
spinning your Age of Exploration globe
until it slows to the brink of inertia
before resting a palm on its surface
and holding there, quite still,
our bearded empress Gloriana.

That steely stare you’ve formulated,
a feeble substitute for rhetoric;
a breastplate of sorts, your Tilbury steed
and cavalcade of auburn hair
resplendent under diadem.

In short, sir, we're concerned
you’re becoming that teacher you talk about,
the one from Waterland who lectured his classes
not in history, not strictly, but in identity,
the tension between silt and sea
between sanity and legacy.

That one morning you’ll enter, slapdash,
slightly late, to simply spin and spin
until the globe dizzies on its axis.

In short, sir, we do not buy it.
Macavity
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Sat Oct 24, 2020 6:23 am

In short, sir, we do not buy it.
I can hear the pupil voice there Luke, but overall it is the master's voice I hear in the poem. The expression, diction, thought processes are too sophisticated in many of the lines to convince me otherwise. It is what the master imagines, or, in places, a poet writng poetry. That did not spoil my enjoyment of the read.

best

mac
1lankest
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Sat Oct 24, 2020 8:39 am

Thanks mac. I wanted it to be self reflective. Teachers tend to appraise themselves through the eyes of their pupils - could the title be

A history teacher's self appraisel through the eyes of his pupils
?
L
1lankest
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Sat Oct 24, 2020 8:41 am

Also, there are multiple personalities and early madness at play here, hence the Waterland reference.
1lankest
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Sat Oct 24, 2020 8:47 am

I wanted the reader to question whose the voice was. Also the overly poetic passage about the Armada speech was meant to represent the masters idealised vision of himself, his life, which reality fails to meet.

L
NotQuiteSure
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Sat Oct 24, 2020 2:04 pm

.
Hi Luke,
long time no read.

It seems to lose a bit of focus in stanza four
(not sure what is meant by 'resplendent under diadem' or how it is equivalent in function to 'some sort of breastplate').
and in the transition from stanza five to six.

I think both 'empress' (L14) and 'you've formulated'
(L15) are redundant. Was Elizabeth I even an empress?

Like the changes you've made to the enjambments
of the opening two stanzas.

Is there really a tension between 'silt and sea'?
(silt and stream, I could understand, but ... )
Seems to be trying too hard there.


Regards, Not


.
Macavity
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Sat Oct 24, 2020 6:46 pm

1lankest wrote:
Sat Oct 24, 2020 8:47 am
I wanted the reader to question whose the voice was. Also the overly poetic passage about the Armada speech was meant to represent the masters idealised vision of himself, his life, which reality fails to meet.

L
Fair enough Luke. It is a while since I read the book.

all the best

mac
1lankest
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Sat Oct 24, 2020 7:02 pm

It is a while since I read the book.
Not at all, Mac. I think the point is that it’s been a while since I wrote it!

Cheers,

Luke
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Mon Oct 26, 2020 10:42 am

I checked back on the original. I miss the Doldrums and the barrelman. I find the 4th stanza is the least convincing, bit too convoluted.
I'm out of faith and in my cups
I contemplate such bitter stuff.
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