Drain and dig,
turn and dry these sods of bog.
They'll crumble slowly in the sun
dumped amongst the cuckoo flowers.
Pull out
an old half rotten stob,
toppled in the time of some Maclean,
hard crofter and his emigrating sons.
Or lift
and hang them on that granite wall
whose purpose, highland chieftain,
seems long gone.
They'll fry, exposed,
those matted strands of root, like clippings
fallen from the beard of him,
our soggy god.
Reeds of the Bogland
Hello Seth.
Not a very technical appraisal I am afraid, I just wanted to say I enjoyed many elements of Reeds of the Bogland.
I found the title drawing me in, merely by the use of the interesting word Bogland.
I was then very pleasantly suprised as your poem unfolded to come across another similarly well chosen word, which I had to look up, .. 'stob'. Very nice Seth.
Also, looking up the 'cuckoo flower' I was to discover that there is a folklore attached to these pretty meadow flowers that they are a sacred flower to fairies, which created a place that could almost have an eerire, mystical feel to it.
The layout was easy and pleasant to read, and I particularly liked the 'book-end' feel you have going on with the opening and closing couplets.
I found the imagery in the stanza's about the crofter and his sons, and also that of the highland chieftan enjoyable, and for me, gave your piece a sense and texture of history.(if that makes sense).
The close was my favourite part Seth, very nice indeed,
They'll fry, exposed,
those matted strands of root, like clippings
fallen from the beard of him,
our soggy god.
An enjoyable read throughout.
Cheers
Robbie.
Not a very technical appraisal I am afraid, I just wanted to say I enjoyed many elements of Reeds of the Bogland.
I found the title drawing me in, merely by the use of the interesting word Bogland.
I was then very pleasantly suprised as your poem unfolded to come across another similarly well chosen word, which I had to look up, .. 'stob'. Very nice Seth.
Also, looking up the 'cuckoo flower' I was to discover that there is a folklore attached to these pretty meadow flowers that they are a sacred flower to fairies, which created a place that could almost have an eerire, mystical feel to it.
The layout was easy and pleasant to read, and I particularly liked the 'book-end' feel you have going on with the opening and closing couplets.
I found the imagery in the stanza's about the crofter and his sons, and also that of the highland chieftan enjoyable, and for me, gave your piece a sense and texture of history.(if that makes sense).
The close was my favourite part Seth, very nice indeed,
They'll fry, exposed,
those matted strands of root, like clippings
fallen from the beard of him,
our soggy god.
An enjoyable read throughout.
Cheers
Robbie.
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- Perspicacious Poster
- Posts: 6599
- Joined: Thu Nov 24, 2011 1:35 am
- Location: At the end of stanza 3
Thanks, Mac.
I think you are right about "fry".
Thanks, Robbie. Not only for calling by, but such detail. Always welcome (and certainly you should not think you need to be technical!). Especially helpful to know about the bookends and that bit you mention at end. Yes, "Stob" is very much a word in use around here. I have put a few in already this year. The Macleans were a powerful local clan for a period. The cuckoo flowers indeed have that fairy link that I was only reading about the other day. Intriguing.Thanks again.
Seth
I think you are right about "fry".
Thanks, Robbie. Not only for calling by, but such detail. Always welcome (and certainly you should not think you need to be technical!). Especially helpful to know about the bookends and that bit you mention at end. Yes, "Stob" is very much a word in use around here. I have put a few in already this year. The Macleans were a powerful local clan for a period. The cuckoo flowers indeed have that fairy link that I was only reading about the other day. Intriguing.Thanks again.
Seth
We fray into the future, rarely wrought
Save in the tapestries of afterthought.
Richard Wilbur
Save in the tapestries of afterthought.
Richard Wilbur
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- Preponderant Poster
- Posts: 1393
- Joined: Tue Apr 10, 2007 9:15 pm
- Location: Dublin, Ireland
Hi Seth
I like the historical links with a material that takes so long to form.
Fry looks like it should relate to friable. Easy to misread, though.
The last line(s) feel(s) out of context to me, being the first mention of a deity. I can’t fault the imagery; it conjures a lovely picture. I can see lines of turf draped over stone walls, looking like beards. But that would be beards, not one big beard. Sorry, I can’t quite tie the pictures to the words.
enjoyed, even so
og
I like the historical links with a material that takes so long to form.
Fry looks like it should relate to friable. Easy to misread, though.
The last line(s) feel(s) out of context to me, being the first mention of a deity. I can’t fault the imagery; it conjures a lovely picture. I can see lines of turf draped over stone walls, looking like beards. But that would be beards, not one big beard. Sorry, I can’t quite tie the pictures to the words.
enjoyed, even so
og
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- Perspicacious Poster
- Posts: 6599
- Joined: Thu Nov 24, 2011 1:35 am
- Location: At the end of stanza 3
Thanks for calling by, Og. The deity at the end was intended to be the bog, but I think it is not quite working at that point. The reeds would be "falling" up perhaps. Your helpful comments help me to see that the end needs work.
Cheers,
Seth
Cheers,
Seth
We fray into the future, rarely wrought
Save in the tapestries of afterthought.
Richard Wilbur
Save in the tapestries of afterthought.
Richard Wilbur
Lovely sonics, pacing, rhythm.
Really good.
Really good.
"Do not feel lonely, the entire universe is inside you" - Rumi