Paint me blue
under a milky moon halo
Cover me
with a cobalt cloak
Smooth my skin
with your pale paint palette
Bow my head
like a compliant Madonna
Close my eyes
although I will not pray
Leave me a chalice
but don't let me drink
Make me glow
The Absinthe Drinker (1902)
Hello Disraeli, welcome to the board.
I like a bit if ekphrasis and I think you've captured the image well (it is Picasso, isn't it?)
However, it seems a little repetitive to me as it is. The first three couplets are essentially - verb me with an alliterative adjective/noun combo. I'd like to see it broken up a bit and a bit more of a flow introduced somehow.
Sorry if all that seems a bit negative on your first post but I think it has the potential to be a lovely piece. I'll look forward to reading more from you.
All the best,
Nash.
I like a bit if ekphrasis and I think you've captured the image well (it is Picasso, isn't it?)
However, it seems a little repetitive to me as it is. The first three couplets are essentially - verb me with an alliterative adjective/noun combo. I'd like to see it broken up a bit and a bit more of a flow introduced somehow.
Sorry if all that seems a bit negative on your first post but I think it has the potential to be a lovely piece. I'll look forward to reading more from you.
All the best,
Nash.
I read this one aloud and it's a really difficult read. The second line is almost a tongue twister and the emphasis seems to all wrong.
Likewise the "don't" in l12 seems to jar. Maybe "never" as an alternative.
Having said that it does capture the spirit of the piece, it's just that it doesn't flow as a whole.
Steve
Likewise the "don't" in l12 seems to jar. Maybe "never" as an alternative.
Having said that it does capture the spirit of the piece, it's just that it doesn't flow as a whole.
Steve
Hello Disraeli -- and a very warm welcome
It certainly captures the painting - I actually read it as the drinker speaking to the absinthe, asking it to take away the pain that made him drink. So for me it worked - make me glow was the right ending.
For the future, yes the others are right too heavy with alliteration. Like all techniques the power of alliteration is when used sparingly. Was it in Dulce et Decorum Est or another Owen poem -- "blood bangs" is used? Check that out?
Look forward to more
elph
It certainly captures the painting - I actually read it as the drinker speaking to the absinthe, asking it to take away the pain that made him drink. So for me it worked - make me glow was the right ending.
For the future, yes the others are right too heavy with alliteration. Like all techniques the power of alliteration is when used sparingly. Was it in Dulce et Decorum Est or another Owen poem -- "blood bangs" is used? Check that out?
Look forward to more
elph
Thanks for the comments and the welcome, folks. The poem is indeed inspired by a Picasso painting - one of several that inspired me.
http://faculty.dwc.edu/wellman/absinth.jpg
This is from his blue period when he was painting beggars, prostitutes, alcoholics etc. In this painting I felt he was idealising this woman and using religious imagery i.e. the way she bows, the cup like a chalice, the halo etc. Hence why I used those images in the poem.
I think you're all right about the alliteration. It is overdone. There's at least one stanza too many and 'under the milky moon halo needs work. Lots of thoughts and ideas there. Thanks - much appreciated. I'll work on it.
http://faculty.dwc.edu/wellman/absinth.jpg
This is from his blue period when he was painting beggars, prostitutes, alcoholics etc. In this painting I felt he was idealising this woman and using religious imagery i.e. the way she bows, the cup like a chalice, the halo etc. Hence why I used those images in the poem.
I think you're all right about the alliteration. It is overdone. There's at least one stanza too many and 'under the milky moon halo needs work. Lots of thoughts and ideas there. Thanks - much appreciated. I'll work on it.
Like the irony of that simile.Bow my head
like a Madonna
I read the poem easily enough, that was the obvious alliterative overkill for me.pale paint palette
As an exercise take out the modifiers and decide which ones the reader needs:
An obvious one to remove would be paint (appears twice in the poem).Paint me blue
under a halo
Cover me
with a cloak
Smooth my skin
with your palette
Bow my head
like a Madonna
Like the 'weight' of that line.Make me glow
cheers
mac
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I agree with others here, the modifiers paint before palette, and compliant before Maddona,
should go.
I think milky moon could be straying into cliche territory.
I think the poem needs more "life" injecting into it; somehow it "feels dead." The last line has life.
seeya....D
should go.
I think milky moon could be straying into cliche territory.
I think the poem needs more "life" injecting into it; somehow it "feels dead." The last line has life.
seeya....D
Thanks Mac - good points. Agreed pale paint palette is overdone.
Thanks for the comment David. I think you've summed it up nicely. Picasso's painting breathes life into a 'dead' figure. That's what he was doing in his blue period. In this case he's painted an alcoholic prostitute and used religious connotations. I've been doing pretty clumsily but you've given me an idea of rewriting the poem in the voice of the woman after she's seen the painting. Thanks.
Thanks for the comment David. I think you've summed it up nicely. Picasso's painting breathes life into a 'dead' figure. That's what he was doing in his blue period. In this case he's painted an alcoholic prostitute and used religious connotations. I've been doing pretty clumsily but you've given me an idea of rewriting the poem in the voice of the woman after she's seen the painting. Thanks.
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- Perspicacious Poster
- Posts: 6599
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- Location: At the end of stanza 3
Hi Disraeli,
welcome to PG
Sorry about that 1880 election.
I liked this (and like ekphrasis).
Maybe "palette of pale paint" to break up the P-ing a little? Just a thought.
Best wishes,
Seth
welcome to PG
Sorry about that 1880 election.
I liked this (and like ekphrasis).
Maybe "palette of pale paint" to break up the P-ing a little? Just a thought.
Best wishes,
Seth
We fray into the future, rarely wrought
Save in the tapestries of afterthought.
Richard Wilbur
Save in the tapestries of afterthought.
Richard Wilbur
I didn't know that picture, but I did know this one: http://www.wikipaintings.org/en/edgar-d ... inker-1876
Just in case that fact is vaguely interesting.
Cheers
David
Just in case that fact is vaguely interesting.
I like the sound of that.Disraeli wrote:I've been doing pretty clumsily but you've given me an idea of rewriting the poem in the voice of the woman after she's seen the painting. Thanks.
Quite!Antcliff wrote:Hi Disraeli,
welcome to PG
Like!Antcliff wrote:Sorry about that 1880 election.
Cheers
David