You should know I'm my father’s son
in ways of devotion; anal-retention;
hugs of stern, straight-backed fixity;
steel nerves that fissure in silence
like china in draft-ridden halls.
And learn to see me as I am,
not held to the light: some suspect fiver,
sack of lust, veins, bones like buckled wheels
strewn in a yard. And play me by the notes
arrayed - these fraying strings, this bow.
Monogamy Song
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I like the first 7 lines very much. Should it be draught-ridden, perhaps, though I can see how halls might be draft-ridden.
I'd have liked something like this
And learn to see me as I am,
not held to the light like some suspect
fiver, lust, veins and bones, buckled wheels
strewn in a yard.
Not keen on sack of lust, veins, bones - is the sack of lust only, or all three?
Not really sure what's inferred in the final sentence.
I'd have liked something like this
And learn to see me as I am,
not held to the light like some suspect
fiver, lust, veins and bones, buckled wheels
strewn in a yard.
Not keen on sack of lust, veins, bones - is the sack of lust only, or all three?
Not really sure what's inferred in the final sentence.
I'm out of faith and in my cups
I contemplate such bitter stuff.
I contemplate such bitter stuff.
hi Luke,
Some effective descriptions and threading of sounds. I wasn't that keen on anal retention or sack of lust. Did enjoy the bones like buckled wheels and 'my father’s son in ways of devotion'. Perhaps the poem needs to breathe a little more to get away from the sense of reading a list...inventive though the images are.
all the best
mac
Some effective descriptions and threading of sounds. I wasn't that keen on anal retention or sack of lust. Did enjoy the bones like buckled wheels and 'my father’s son in ways of devotion'. Perhaps the poem needs to breathe a little more to get away from the sense of reading a list...inventive though the images are.
all the best
mac
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- Location: At the end of stanza 3
Hi Luke,
I liked much of this and the overall idea (if I have understood).
...but with Ray, I am not quite sure what is implied by the last line. Fraying strings? So the instrument of this monogamist needs a little work? I read this...in light of the title....as a refusal to take part in an affair? But I am not sure.
I especially liked fissuring in silence like china in halls. That image nicely brings in a sense of background propriety..who has china in halls these days!.
Seth
I liked much of this and the overall idea (if I have understood).
...but with Ray, I am not quite sure what is implied by the last line. Fraying strings? So the instrument of this monogamist needs a little work? I read this...in light of the title....as a refusal to take part in an affair? But I am not sure.
I especially liked fissuring in silence like china in halls. That image nicely brings in a sense of background propriety..who has china in halls these days!.
Seth
We fray into the future, rarely wrought
Save in the tapestries of afterthought.
Richard Wilbur
Save in the tapestries of afterthought.
Richard Wilbur
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I enjoyed this powerful bit of venting, but I agree with the comments already made, particularly the observation by Mac that it 'needs to breathe' more. Otherwise it has the more oppressive sense of a rant, rather than an explanation of self, which is what I think you intend given the gentler, enigmatic last line.
Why would make the 'You' want to listen?
'bones like buckled wheels
strewn in a yard'
is my favourite.
All the best,
Iain
Why would make the 'You' want to listen?
'bones like buckled wheels
strewn in a yard'
is my favourite.
All the best,
Iain
Like I always say, I look for an experience in a poem.
I feel I got this from your piece. Often we do not know
what we are experiencing until the experience has left
its residue in our veins. This is a poem that has done that.
I liked it. I will leave the microscopic analysis to the more qualified, and experienced
poets on this forum.
I feel I got this from your piece. Often we do not know
what we are experiencing until the experience has left
its residue in our veins. This is a poem that has done that.
I liked it. I will leave the microscopic analysis to the more qualified, and experienced
poets on this forum.
Hi Luke,
I'm enjoying your language here, as always, but I too am confused by your position.
I assume this is about monogamy as opposed to polygamy, say? You're pretty forcefully telling "you" he/she has to learn something, but I'm not clear what.
Sorry—
Jackie
I'm enjoying your language here, as always, but I too am confused by your position.
I assume this is about monogamy as opposed to polygamy, say? You're pretty forcefully telling "you" he/she has to learn something, but I'm not clear what.
Sorry—
Jackie