Oil on canvas 50 x 40 cms. The Durdle Door is to be found in Dorset, England. The colours and sheer beauty were enough to attract my attention. Just had to paint this lovely rock formation. See what you think.
Revision
The Durdle Door (revised)
- JJWilliamson
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Long time a child and still a child
Interesting JJ. Are you experimenting with your style? The foreground detail has your characteristic, almost photographic reality - the green/yellow vegetation. Much of the painting draws my eye to painterly colours - is that a red ochre mixed with yellow used on the beach? Liked the eddies around the door and the section of sand/grass to the left. Not sure about the horizon line, is that an island in the distance?
thank you for sharing
mac
thank you for sharing
mac
- JJWilliamson
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Thanks for the feedback, mac, and very interesting comments.
JJ
BestMacavity wrote: ↑Tue Apr 28, 2020 6:14 amInteresting JJ. Are you experimenting with your style? The foreground detail has your characteristic, almost photographic reality - the green/yellow vegetation. ...I'm experimenting with distance more than anything else, almost dropping the colour altogether as the view recedes.
Much of the painting draws my eye to painterly colours - is that a red ochre mixed with yellow used on the beach? ...I used Naples yellow mixed with cad red (only a touch) then lobbed a touch of gold ochre into the mix. I had to fiddle with the tone by adding some titanium white in places.
Liked the eddies around the door and the section of sand/grass to the left. Not sure about the horizon line, is that an island in the distance? ...Yes, it's a barely visible island right on the horizon. The horizon line was very pale on my source image.
thank you for sharing ...You're welcome.
mac
JJ
Long time a child and still a child
- CalebPerry
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I'm not seeing as much detail in the painting as I would like to see. Of course, the photo of the painting isn't very large, so perhaps I just can't see it because of the resolution of the picture. The foreground grass looks the most realistic to me.
Signature info:
If you don't like the black theme, it is easy to switch to a lighter color. Just ask me how.
If I don't critique your poem, it is probably because I don't understand it.
If you don't like the black theme, it is easy to switch to a lighter color. Just ask me how.
If I don't critique your poem, it is probably because I don't understand it.
- JJWilliamson
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Thank you very much, Perry, for looking at this painting and for offering your impressions. Appreciated.
The detail is likely not so apparent because of distance. With this in mind, and because of mac's concerns, I have revised the painting to show more in the way of scale. I've added some highlights to the rock and sand, developed the island on the horizon, smoothed out some of the issues I had with the sea, placed six figures on the beach, two of them children, and finally dotted in some Sea Thrift (pink plant) on the cliff top. I hope this improves the painting.
I'll attempt to place the revision above the original for comparison.
All the best
JJ
The detail is likely not so apparent because of distance. With this in mind, and because of mac's concerns, I have revised the painting to show more in the way of scale. I've added some highlights to the rock and sand, developed the island on the horizon, smoothed out some of the issues I had with the sea, placed six figures on the beach, two of them children, and finally dotted in some Sea Thrift (pink plant) on the cliff top. I hope this improves the painting.
I'll attempt to place the revision above the original for comparison.
All the best
JJ
Long time a child and still a child
- CalebPerry
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The changes are good. I like them. The figures on the beach give the picture more perspective.
Signature info:
If you don't like the black theme, it is easy to switch to a lighter color. Just ask me how.
If I don't critique your poem, it is probably because I don't understand it.
If you don't like the black theme, it is easy to switch to a lighter color. Just ask me how.
If I don't critique your poem, it is probably because I don't understand it.
- JJWilliamson
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Thanks for getting back to me, Perry. I must admit that I like the changes, myself, for the very reasons you cite. The scale and perspective is much clearer with the revisions. Delighted you liked.
JJ
JJ
Long time a child and still a child
- JJWilliamson
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Thanks, mac and Mrs mac, for taking another look for me. Appreciated.
JJ
Best to both
JJ
Long time a child and still a child
JJ, to me there is a huge difference in the overall impression between the original and revised version.
The original seemed like a controlled child's book illustration, framed, enclosed. The second is wide open, and the door with the detail of people becomes a secret revelation on the edge of a massive expanse.
Just my impression
Jackie
The original seemed like a controlled child's book illustration, framed, enclosed. The second is wide open, and the door with the detail of people becomes a secret revelation on the edge of a massive expanse.
Just my impression
Jackie
- JJWilliamson
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Thank you very much, Jackie, and sorry for the late response.
I really enjoyed reading your impressions and also enjoyed
looking at the painting again through your eyes.
Thanks for that.
JJ
I really enjoyed reading your impressions and also enjoyed
looking at the painting again through your eyes.
Thanks for that.
JJ
Long time a child and still a child
greetings JJ
an interesting canvas
i find without people more appealing
yet what i miss in the 'without people' version
is the exacting clarity of what looked in the other version as a possible landmass in the distance
the vagueness of the landmass leaves the so called "background' i bit less integrated in this painting
thankyuuu
for sharing
a warm smile
silent lotus
an interesting canvas
i find without people more appealing
yet what i miss in the 'without people' version
is the exacting clarity of what looked in the other version as a possible landmass in the distance
the vagueness of the landmass leaves the so called "background' i bit less integrated in this painting
thankyuuu
for sharing
a warm smile
silent lotus
“A poem should have the touch ... the way sunlight falls on Braille.” .......silent lotus