An ideal world

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Bombadil
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Tue Jan 03, 2006 9:15 pm

After many seasons of empty victories—
grey green scenes and second hand dreams—
I went away within myself. I created a world

made of cast iron flasks and plexi-glass masks: To obscure
myself and bottle up my hopes for the reserving, to drink when
my piss went thick.

I had friends, or so I called them, in far off lands channeled
by like isolation—by not so unique frustrations. Kismet they
called it

but really it was just a step above dial-up. But it turned out
to be a myopic utopia. One wanting of sun and three dimensional
intercourse—rich with vision, but lacking in touch.

Beleaguered and pallid, I disconnected. Stepped outside my cocoon,
took a deep breath,
felt invigorated alive stimulated
and then,
fell fifty
flights
to my
death.
Last edited by Bombadil on Wed Jan 04, 2006 3:30 pm, edited 1 time in total.
Ray Trivedi

Wed Jan 04, 2006 3:06 pm

the line breaks in the penultimate stanza works well, like a time-delayed punchline.
cameron
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Wed Jan 04, 2006 3:21 pm

Be much better without the last line, I think. Death is a great ending.

Sentences which begin close to line endings make me uncomfortable though.

I have a strong desire to change the shape of this poem.

Couldn't you go for more natural line breaks? Ted hughes was very good at it (and line breaks).

C
Bombadil
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Wed Jan 04, 2006 3:34 pm

Advice taken, Cam.

Please explain the meaning of "more natural line breaks," I'm open to suggestion.

Thanks,

Keith
cameron
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Wed Jan 04, 2006 4:03 pm

Break the line at a punctuation point: comma, full stop, semi c, colon or where you would pause when reading it aloud.

In addition, even with free verse, I always prefer stuff which is laid out in couplets/triplets or quatrains as it just looks so much more visually appealing.

However, the short lines at the end work well I think.
Ewan_McTeagle
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Wed Jan 04, 2006 4:25 pm

The second stanza is in my opinion the best. The rest isn't bad but sometimes seems a bit repetitive to me. Overall not bad but I think you should make something out of the 2nd stanza. It's the most interesting. In my opinion.

Thanx for the read.
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barrie
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Wed Jan 04, 2006 7:13 pm

I'm still unclear as to what the poem is about - dreamworld, internet world, descent into insanity - can't make up my mind.

No matter. Your use of language embroidered quite a surreal image; the word dropping at the end gave it a nice finishing touch.

Good advice by Cameron was well heeded.

cheers
cameron
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Wed Jan 04, 2006 7:41 pm

After many seasons of empty victories—
grey green scenes and second hand dreams—
I went away within myself.

I created a world made of cast iron flasks
and plexi-glass masks: To obscure myself
and bottle up my hopes for the reserving,

to drink when my piss went thick.
I had friends, or so I called them, in far off lands
channeled by like isolation—by not so unique frustrations.

Kismet they called it but really it was just a step above dial-up.
But it turned out to be a myopic utopia.
One wanting of sun and three dimensional intercourse—

rich with vision, but lacking in touch.
Beleaguered and pallid, I disconnected.
Stepped outside my cocoon, took a deep breath,

felt invigorated alive stimulated
and then,
fell fifty

flights
to my
death.


ps don't normally do this but thought it might be helpful. I'm aware that I haven't even commented on the content.
Bombadil
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Wed Jan 04, 2006 8:05 pm

So...

please do.


I'll think about the lines.
Kpt Quack
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Thu Jan 05, 2006 11:12 am

I think the poem is strong in structure, and do not feel the last few lines need to be separated. The use of the the string of words is one of the stronger areas of the piece as the visual aspect of the change of style as well as the pace change, created by shorter lines, adds impact to the 'punch line' of the piece.

I do think that the third stanza is a little clustered, which is made a little more confusing by the punctuation. Perhaps working on the flow of this would make the piece a little less viscous
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