A poem that I read today by Mac

How many poets does it take to change a light bulb?
Post Reply
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Fri Sep 18, 2020 2:35 am

I’ve been pre-occupied recently with the gap between my experience of poetry and what I perceive (partly through the unwillingness of readers to buy poetry) to be most people’s experience of it. I think of poetry as the most important art form we have. It contains sound (the voice, its rhythms, music), & thought (ideas, opinions, imaginings) & vision (pictures, images, conjurations). And poetry mixes sound, thought and vision into story-telling, that most fundamental use of language, the basis of so much discourse (‘how was your school/work/lover today, darling?’). I’ve been reading and re-reading this poem wondering how I can communicate my joy in it to someone who ‘doesn’t get on with’ poetry.

Michael Mackmin
This is a poem by by Laura Scott called What you left out

https://www.therialto.co.uk/pages/2015/11/04/what-you-left-out/

Yes, I know, more egg imagery!
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Sat Sep 19, 2020 3:23 am

This is a poem by Sally Long, the editor of Allegro, and is called The Button Hole

http://www.musepiepress.com/shotglass/sally_long1.html

My kind of poem: zooms in, zooms out.
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Sun Sep 20, 2020 1:57 am

Passing by the little mosque, built on a paan shop,
Whose imam coughs on a loudspeaker
Five times a day –
I love a poem that translates a sense of time/place.

This poem is called Growing up in this neighborhood

https://wildcourt.co.uk/new-work/three-poems-by-ammar-aziz/

Actually all three poems are a rewarding read.
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Mon Sep 21, 2020 6:13 am

'last triumph of the poem’s arrival is when “it tells you its intention”, at which point the poet can give a sigh of satisfaction, and relax, at least for a while. It’s the sharing of control between poet and poem that seems to be the core plot of Stevenson’s graceful narrative.' (Rumens)
How often does a reader obsess about the poet's intended meaning, or indeed the poet focus on their intended meaning, and both ignore or relegate the poem's meaning?

This poem is called How Poems Arrive by Anne Stevenson

https://www.theguardian.com/books/2020/sep/07/poem-of-the-week-how-poems-arrive-by-anne-stevenson
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Tue Sep 22, 2020 2:19 am

What is mightier then the pen? A pair of scissors?

This is a poem by JI Kleinberg from the mag One Sentence Poems

http://www.onesentencepoems.com/osp/wp-content/uploads/2020/08/TO_BE_DUST-1.jpg
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Wed Sep 23, 2020 5:32 am

We had an appetite for appetite.
We poured melted lard all over our
popcorn which we then covered
with a snowstorm of salt. We smoked,
we snorted, we cavorted with people
who were best left alone.
A snippett from a poem Terence Winch called Old Life.

https://acrossthemargin.com/three-poems-by-terence-winch/

Poets do tend to 'look back', the worst in desiccated observations. The latter a consequence of university creative writing courses? Prescriptive courses sucking the life out of poetry, magazines run by a virus of 'qualified' elites? Poets sucked into the life of university teachers, cleverness, intellectualism...doesn't matter. The history of poetry is one of reaction to reactionaries. The three poems, according to the editor, are radiating grade of dialectical energy...I agree :D
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Thu Sep 24, 2020 7:14 pm

We’re engaging in Self-Distraction
We’re ain’t payin’ no damn attention
I don't like RAP. too noisy in an ugly way, but I did read and listen to this twice!

https://oddballmagazine.com/3tv-presents-ivan-de-jesus/
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Sat Sep 26, 2020 2:41 am

I do enjoy the play of surreal and routine in life/poems. Perhaps there is need for both to survive, though the 'reality' fabric is somewhat fraying these days - what is the 'norm'? :roll:

This is a poem by David J.Thompson called Circus Train

https://oddballmagazine.com/poem-by-david-j-thompson/
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Sun Sep 27, 2020 1:40 am

Why do you read poems? Because they connect in a world of disconnect. Just a thought.

This is a poem by Dorothy Yamamoto called 'Studies of the Foetus in the Womb'.

https://www.rct.uk/collection/themes/exhibitions/leonardo-da-vinci/the-queens-gallery-buckingham-palace/studies-of-the-foetus-in-the-womb-by-dorothy-yamamoto
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Mon Sep 28, 2020 5:18 am

The progressive shock of this narrative evolves within the skinny poem format. The form feels right for the poem, gives focus and impact, and is another example (as are many poems on IST) that longer lines are not a necessary feature of poetry writing.

This is a poem by by DS Maolalai called Your body is small:

http://www.inksweatandtears.co.uk/pages/?p=22869
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Tue Sep 29, 2020 5:40 am

Immediacy is often promoted as a positive in a poem, present tense rather than past, perhaps a vitality fix aligns with contemporary appetites.

This is a poem by John Murphy called Bird:

https://www.poetryireland.ie/publications/poetry-ireland-review/online-archive/view/bird
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Wed Sep 30, 2020 1:40 am

I'm re-visiting Virginia Woolf's To The Lighthouse in my prose reading and was struck by how the book progresses through the triggering of the thought process. The 'triggers' in poems are often sound prompts, something Suzannah V. Evans uses to progress her poem Almost-Heartwood:

https://www.thelondonmagazine.org/poetry-almost-heartwood-by-suzannah-v-evans/

I wonder what happened to the full-stops? Or is that another nuance reflecting the 'liquidity' of the thought process
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Thu Oct 01, 2020 4:47 am

she’d take your hand and press it warmly. Lean in
to read the lilting script along the lintel: And all manner
of things shall be well.
It’s time to leave her side now.
Her story has been told, and rests inside you as you go.
I do enjoy a quiet, reflective poem, slowly permeating.

This is a poem by Heidi Williamson called Portrait

https://www.theguardian.com/books/2016/mar/26/saturday-poem-portrait-by-heidi-williamson
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Fri Oct 02, 2020 5:51 am

Following on from yesterday, in the tradition of the 'quiet' approach and 'head' journeys, a 'conversational' classic from Coleridge for dealing with lockdown (well he was a 'visionary' and there is a mention of rooks :) ):

This Lime-tree Bower my Prison

[Addressed to Charles Lamb, of the India House, London]

Well, they are gone, and here must I remain,
This lime-tree bower my prison! I have lost
Beauties and feelings, such as would have been
Most sweet to my remembrance even when age
Had dimm'd mine eyes to blindness! They, meanwhile,
Friends, whom I never more may meet again,
On springy heath, along the hill-top edge,
Wander in gladness, and wind down, perchance,
To that still roaring dell, of which I told;
The roaring dell, o'erwooded, narrow, deep,
And only speckled by the mid-day sun;
Where its slim trunk the ash from rock to rock
Flings arching like a bridge;—that branchless ash,
Unsunn'd and damp, whose few poor yellow leaves
Ne'er tremble in the gale, yet tremble still,
Fann'd by the water-fall! and there my friends
Behold the dark green file of long lank weeds,
That all at once (a most fantastic sight!)
Still nod and drip beneath the dripping edge
Of the blue clay-stone.

..................................Now, my friends emerge
Beneath the wide wide Heaven—and view again
The many-steepled tract magnificent
Of hilly fields and meadows, and the sea,
With some fair bark, perhaps, whose sails light up
The slip of smooth clear blue betwixt two Isles
Of purple shadow! Yes! they wander on
In gladness all; but thou, methinks, most glad,
My gentle-hearted Charles! for thou hast pined
And hunger'd after Nature, many a year,
In the great City pent, winning thy way
With sad yet patient soul, through evil and pain
And strange calamity! Ah! slowly sink
Behind the western ridge, thou glorious Sun!
Shine in the slant beams of the sinking orb,
Ye purple heath-flowers! richlier burn, ye clouds!
Live in the yellow light, ye distant groves!
And kindle, thou blue Ocean! So my friend
Struck with deep joy may stand, as I have stood,
Silent with swimming sense; yea, gazing round
On the wide landscape, gaze till all doth seem
Less gross than bodily; and of such hues
As veil the Almighty Spirit, when yet he makes
Spirits perceive his presence.

.............................................. A delight
Comes sudden on my heart, and I am glad
As I myself were there! Nor in this bower,
This little lime-tree bower, have I not mark'd
Much that has sooth'd me. Pale beneath the blaze
Hung the transparent foliage; and I watch'd
Some broad and sunny leaf, and lov'd to see
The shadow of the leaf and stem above
Dappling its sunshine! And that walnut-tree
Was richly ting'd, and a deep radiance lay
Full on the ancient ivy, which usurps
Those fronting elms, and now, with blackest mass
Makes their dark branches gleam a lighter hue
Through the late twilight: and though now the bat
Wheels silent by, and not a swallow twitters,
Yet still the solitary humble-bee
Sings in the bean-flower! Henceforth I shall know
That Nature ne'er deserts the wise and pure;
No plot so narrow, be but Nature there,
No waste so vacant, but may well employ
Each faculty of sense, and keep the heart
Awake to Love and Beauty! and sometimes
'Tis well to be bereft of promis'd good,
That we may lift the soul, and contemplate
With lively joy the joys we cannot share.
My gentle-hearted Charles! when the last rook
Beat its straight path along the dusky air
Homewards, I blest it! deeming its black wing
(Now a dim speck, now vanishing in light)
Had cross'd the mighty Orb's dilated glory,
While thou stood'st gazing; or, when all was still,
Flew creeking o'er thy head, and had a charm
For thee, my gentle-hearted Charles, to whom
No sound is dissonant which tells of Life.
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Sat Oct 03, 2020 4:18 am

I mentioned this poem to Trevor the other day. It is by Tom French and is called Bank:

https://www.poetryireland.ie/publications/poetry-ireland-review/online-archive/view/bank

I like how labour is translated in S1 through the short sentences and verbs. Great to discover spit and sleán
A spit is measurement of soil depth judged by the length of the blade of a spade. It is used to describe how deep a trench should be dug. As in single digging is one spit deep, double digging is two spits deep.
sleán - a spade for cutting turf
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Sun Oct 04, 2020 7:13 am

Read a good poem on alzheimer's disease, but then read a good poem on trees. My preference is for the tree poem, it has a winning mix of science and poetry, besides I'm bored by alzheimer poems (even good ones)...anyone bored by covid poems yet? :)
dendrologists, find that trees talk with
each other through roots
This snippet is from a poem by Maren O. Mitchell called Tree Talk:

http://www.stilljournal.net/maren-omitchell-poetry2020.php
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Tue Oct 06, 2020 6:34 am

I can't deny many readers find my poems muddled.
Jessica Goodfellow: “Poetry unmuddles my muddled thoughts and muddles my clear ones. My current project is writing based on the loss of my mother’s only brother on Denali in 1967, in one of the worst mountain-climbing accidents in U.S. history. We hardly talk about this tragedy in our family; by doing so I am both muddling and unmuddling our feelings and fears.”
This is a poem by Jessica Goodfellow called WAKENING:

https://www.rattle.com/wakening-by-jessica-goodfellow/
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Thu Oct 08, 2020 3:17 am

Not that interested in Greek myths, never went to public school, besides we have our homegrown folklore/myths.

This is a poem by Nicholas McGaughey called Avalon:

http://theislandreview.com/content/poem-nicholas-mcgaughey-avalon
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Sat Oct 10, 2020 5:58 am

Fog By Carl Sandburg

The fog comes
on little cat feet.

It sits looking
over harbor and city
on silent haunches
and then moves on.
How the world can be experienced in limitless ways...poetry!
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Sun Oct 11, 2020 4:29 am

Welsh wasn't on the syllabus when I went to school and now I live in a bilingual culture...well the new street names are in Welsh :)

This is a called ‘Iaith / llaeth’ by Katherine Stansfield:

https://serenbooks.wordpress.com/2020/04/03/friday-poem-iaith-llaeth-by-katherine-stansfield/
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Mon Oct 12, 2020 3:11 am

I was reading a poem by Heaney yesterday between sipping my coffee and dunking a biscuit. The writing experience can be equally 'part of life'.
wings sticky with verbs,
her diaphragm tickled with nouns
that won’t settle or fly off
These lines are from a poem by Christine Klocek-Lim called How a moth flies into a poem:

https://www.escapeintolife.com/poetry/christine-klocek-lim/
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Tue Oct 13, 2020 12:04 am

Do you 'understand' a poem better if you have some biographical information about the poet?

This is a poem by Christina Thatcher called ‘Subtext'

https://proletarianpoetry.com/2020/06/08/guest-post-how-to-carry-fire-by-christina-thatcher-with-poem-subtext/
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Wed Oct 14, 2020 1:39 am

There are various devices that poets employ to draw readers into a poem. One of the more undefineable is 'voice'.


This poem is called Aboriginal Landscape By Louise Glück:

https://www.poetryfoundation.org/poetrymagazine/poems/56626/aboriginal-landscape

Reminds me of a Buñuel film.
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Thu Oct 15, 2020 4:08 am

Wiki tells me this poem was written by a twelve year old:

https://www.poetryfoundation.org/poems/46561/ode-on-solitude
Macavity
Moderator
Moderator
Posts: 12281
Joined: Tue May 10, 2005 10:29 am

Fri Oct 16, 2020 4:24 am

I noticed this poet is not a Jones/Thomas/Williams etc, but the poem does reflect the superstitious minds of some Welsh upbringings (including mine).

The poem is called Capel Salem by Judith Wozniak:

https://www.cardiffreview.com/post/2020/08/10/capel-salem/
Post Reply