Week of First Drafts - Wednesday - Erasure poem
- bodkin
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We are half-way there, so let's have a break and be slightly silly.
An erasure poem is a type of found poem where you take an existing block of text and remove all the parts which are not a poem.
e.g. you delete letters, words, phrases, and sentences until what's left is somewhat poetical...
I had some trouble finding examples on the web, so here is one I did for an exercise on another forum, sometime last year. This was originally a chocolate mousse recipe from the BBC web-site:
Detailed instructions
Cut the butter and a bowl.
Break the dark and drop.
Fill with hot water, then sit
on top so it rests on the rim.
While you wait to cool,
position a shelf in your fan.
Using a shallow square non-stick baking
line the base, get rid of any lumps.
With a sharp knife, chop the white
milk into chunks on a board.
Keep on doing this, moving the knife
into pieces then turn rough squares.
Break the eggs into electric on maximum
until thick and creamy, like a shake.
This can take, depending on how powerful
your heart. You'll know it's pale and double.
Pour the chocolate over the mouse.
Plunge and bring again the middle.
Continue until the two are one.
The idea is to marry, gentle and slow
like you don't want.
--
If you are wondering where to get text, news-sites, wikipedia, posts on non-poetic forums, spam email can be a rich source; or a poem from your least-favourite Famous Published Poet...
An erasure poem is a type of found poem where you take an existing block of text and remove all the parts which are not a poem.
e.g. you delete letters, words, phrases, and sentences until what's left is somewhat poetical...
I had some trouble finding examples on the web, so here is one I did for an exercise on another forum, sometime last year. This was originally a chocolate mousse recipe from the BBC web-site:
Detailed instructions
Cut the butter and a bowl.
Break the dark and drop.
Fill with hot water, then sit
on top so it rests on the rim.
While you wait to cool,
position a shelf in your fan.
Using a shallow square non-stick baking
line the base, get rid of any lumps.
With a sharp knife, chop the white
milk into chunks on a board.
Keep on doing this, moving the knife
into pieces then turn rough squares.
Break the eggs into electric on maximum
until thick and creamy, like a shake.
This can take, depending on how powerful
your heart. You'll know it's pale and double.
Pour the chocolate over the mouse.
Plunge and bring again the middle.
Continue until the two are one.
The idea is to marry, gentle and slow
like you don't want.
--
If you are wondering where to get text, news-sites, wikipedia, posts on non-poetic forums, spam email can be a rich source; or a poem from your least-favourite Famous Published Poet...
http://www.ianbadcoe.uk/
I like the way you've used something as mundane and ordinary as a recipe. I'm suprised at how close to poetic it's become just by removing words. Clever ! I may fiddle with this technique for quite some time.
All aspects of language are tools of the poet; line-broken narrative serves an intent.
Take cliché, miss pelling and hyphen'd syllabics. Mould them with form and artistic intent. :-)
Take cliché, miss pelling and hyphen'd syllabics. Mould them with form and artistic intent. :-)
.
Taken from Sylvia Plath’s – Waking in Winter (Reduced by a third)
I can taste the tin of the sky.
Winter drawn is the colour of metal,
the trees stiffen into place.
All night I dreamed of destruction,
an assembly-line of cut throats.
You and I inching off in the Chevy.
Little clapboard gravestones,
noiseless on rubber wheels.
The way to convalescence.
Balconies echoed, the sun lit up the skulls,
unbuckled bones facing the view!
Space! Space!
Bed linen giving out, cot legs melted
in terrible attitudes.
Each nurse patched her soul to a wound
and disappeared.
The guests had not been satisfied
with rooms, smiles, rubber plants,
or the sea. Hushing their peeled sense
like Old Mother Morphia.
I will admit to cheating just a little bit, I added one word: 'convalescence'
.
Taken from Sylvia Plath’s – Waking in Winter (Reduced by a third)
I can taste the tin of the sky.
Winter drawn is the colour of metal,
the trees stiffen into place.
All night I dreamed of destruction,
an assembly-line of cut throats.
You and I inching off in the Chevy.
Little clapboard gravestones,
noiseless on rubber wheels.
The way to convalescence.
Balconies echoed, the sun lit up the skulls,
unbuckled bones facing the view!
Space! Space!
Bed linen giving out, cot legs melted
in terrible attitudes.
Each nurse patched her soul to a wound
and disappeared.
The guests had not been satisfied
with rooms, smiles, rubber plants,
or the sea. Hushing their peeled sense
like Old Mother Morphia.
I will admit to cheating just a little bit, I added one word: 'convalescence'
.
All aspects of language are tools of the poet; line-broken narrative serves an intent.
Take cliché, miss pelling and hyphen'd syllabics. Mould them with form and artistic intent. :-)
Take cliché, miss pelling and hyphen'd syllabics. Mould them with form and artistic intent. :-)
.
From my Recipe for Rocky Road
Break chocolate into pieces,
Put pieces in a bowl
place bowl into a bigger pan
of gently simmering water.
Dust cherry and marshmallow
with sifted icing sugar
then gently mix together
with the other dry ingredients.
Choose your baking tray,
line with greaseproof paper
grease the greaseproof paper with some butter
or some oil
Once the chocolate’s softened
stir until completely melted
add a teaspoon full of butter
and beat until it’s smooth.
Quickly add the chocolate
to the bowl of dry ingredients
folding in quite carefully
‘til everything is covered.
Scrape the sticky mixture
Straight into your baking tray
smooth it out but do not press it down
(that makes it hard)
The top should quite lumpy
slightly bumpy and uneven.
Place in the fridge to set
and break in chunks to serve.
.
From my Recipe for Rocky Road
Break chocolate into pieces,
Put pieces in a bowl
place bowl into a bigger pan
of gently simmering water.
Dust cherry and marshmallow
with sifted icing sugar
then gently mix together
with the other dry ingredients.
Choose your baking tray,
line with greaseproof paper
grease the greaseproof paper with some butter
or some oil
Once the chocolate’s softened
stir until completely melted
add a teaspoon full of butter
and beat until it’s smooth.
Quickly add the chocolate
to the bowl of dry ingredients
folding in quite carefully
‘til everything is covered.
Scrape the sticky mixture
Straight into your baking tray
smooth it out but do not press it down
(that makes it hard)
The top should quite lumpy
slightly bumpy and uneven.
Place in the fridge to set
and break in chunks to serve.
.
All aspects of language are tools of the poet; line-broken narrative serves an intent.
Take cliché, miss pelling and hyphen'd syllabics. Mould them with form and artistic intent. :-)
Take cliché, miss pelling and hyphen'd syllabics. Mould them with form and artistic intent. :-)
- stuartryder
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Er, sorry Raine but that's just the recipe isn't it?
Bodkin's poem is a lot different in that if you followed it as a recipe you would end up with something very strange and certainly not food.
Stuart
Bodkin's poem is a lot different in that if you followed it as a recipe you would end up with something very strange and certainly not food.
Stuart
Raine wrote:.
From my Recipe for Rocky Road
Break chocolate into pieces,
Put pieces in a bowl
place bowl into a bigger pan
of gently simmering water.
Dust cherry and marshmallow
with sifted icing sugar
then gently mix together
with the other dry ingredients.
Choose your baking tray,
line with greaseproof paper
grease the greaseproof paper with some butter
or some oil
Once the chocolate’s softened
stir until completely melted
add a teaspoon full of butter
and beat until it’s smooth.
Quickly add the chocolate
to the bowl of dry ingredients
folding in quite carefully
‘til everything is covered.
Scrape the sticky mixture
Straight into your baking tray
smooth it out but do not press it down
(that makes it hard)
The top should quite lumpy
slightly bumpy and uneven.
Place in the fridge to set
and break in chunks to serve.
.
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Serves 4
Preheat, place, cover and braise.
Fry, add, cook.
Leave.
Purée, season, mix, make.
Take strain,
keeping and discarding.
Open out flat.
Lay on a piece of foil.
Leave.
Fill, and roll tightly. Chill.
Preheat, prepare, steam, cover and heat.
Remove the foil. Pour and reduce.
Whisk in a knob of butter.
Serve very hot.
Leave.
Preheat, place, cover and braise.
Fry, add, cook.
Leave.
Purée, season, mix, make.
Take strain,
keeping and discarding.
Open out flat.
Lay on a piece of foil.
Leave.
Fill, and roll tightly. Chill.
Preheat, prepare, steam, cover and heat.
Remove the foil. Pour and reduce.
Whisk in a knob of butter.
Serve very hot.
Leave.
Rosencrantz: What are you playing at? Guildenstern: Words. Words. They're all we have to go on.
___________________________
Antiphon - www.antiphon.org.uk
___________________________
Antiphon - www.antiphon.org.uk
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Err, gonna give this challenge a miss I think. Anyone for pizza?
-
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Me too, I just don't find it very interesting, I'm afraid.
I'm out of faith and in my cups
I contemplate such bitter stuff.
I contemplate such bitter stuff.
-
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How about rearranging lyrics from Erasure songs and adding whatever words you want.
As long as the words begin with the letter E.
For a laugh?
As long as the words begin with the letter E.
For a laugh?
- bodkin
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Positions
The positions are as follows:
Bow
nearest the most dangerous.
Second Bow
next nearest on the opposite side and comprise the pair.
Second Stroke
next away and probably stabilise the same side.
Stroke
the closest to setting the timing.
They combine with the pair
on the same side as Second Bow.
Sweep
the person (usually man) in charge and,
as they can see what's ahead,
they shot the water.
--
From here.
The positions are as follows:
Bow
nearest the most dangerous.
Second Bow
next nearest on the opposite side and comprise the pair.
Second Stroke
next away and probably stabilise the same side.
Stroke
the closest to setting the timing.
They combine with the pair
on the same side as Second Bow.
Sweep
the person (usually man) in charge and,
as they can see what's ahead,
they shot the water.
--
From here.
Last edited by bodkin on Fri Jan 15, 2010 10:44 am, edited 1 time in total.
http://www.ianbadcoe.uk/
- camus
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Mr Bodkin is doing a fine job.
To engage other poets, to get them riled/motivated, and to continue to do so is a difficult proposition.
So give him a break BRIAN and let him get on with it. If you don't like his ideas, "switch off and go do something less boring instead."
MmmK
To engage other poets, to get them riled/motivated, and to continue to do so is a difficult proposition.
So give him a break BRIAN and let him get on with it. If you don't like his ideas, "switch off and go do something less boring instead."
MmmK
http://www.closetpoet.co.uk
- camus
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a mutant Baby
a radiator
an apartment in a
factory - steel -
industrial pounding
stop motion - an elevator
leading to graphic violence
a worm with depression
neo noir - noir nwea
low budget film making
limited dialogue
nihilism,surrealism
a steampunk chicken dinner.
mutation - eraserhead.
a radiator
an apartment in a
factory - steel -
industrial pounding
stop motion - an elevator
leading to graphic violence
a worm with depression
neo noir - noir nwea
low budget film making
limited dialogue
nihilism,surrealism
a steampunk chicken dinner.
mutation - eraserhead.
http://www.closetpoet.co.uk
-
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Keep yer kickers on Kris. Don't think I said anything too offensive. For once.camus wrote:Mr Bodkin is doing a fine job.
To engage other poets, to get them riled/motivated, and to continue to do so is a difficult proposition.
So give him a break BRIAN and let him get on with it. If you don't like his ideas, "switch off and go do something less boring instead."
MmmK
Totally agree, Ian is doing a grand job.
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Please read the sun.
This is the place if you want to experience time, love, gentle exercise.
This is serious.
TOPIC
Want a song lyric?
Then, why not travel where artists mingle?
TOPIC
Poets change the world.
Armageddon is better than TV.
Discuss.
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Please help.
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Well, that amused me, Brian. Sometimes fun can be the only goal, huh?
Ros
Ros
Rosencrantz: What are you playing at? Guildenstern: Words. Words. They're all we have to go on.
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Minimalist. Says it all, really.bodkin wrote:.
Rosencrantz: What are you playing at? Guildenstern: Words. Words. They're all we have to go on.
___________________________
Antiphon - www.antiphon.org.uk
___________________________
Antiphon - www.antiphon.org.uk
My first Erasure Poem:
Blackberries
In its first year
a new stem
grows vigorously
arching or trailing along the ground
bearing large palmately leaves;
it does not produce any flowers.
In its second year,
the stem does not grow longer
but the flower buds break
Blackberries
In its first year
a new stem
grows vigorously
arching or trailing along the ground
bearing large palmately leaves;
it does not produce any flowers.
In its second year,
the stem does not grow longer
but the flower buds break